AppleInsider Staff
Less than 10 days after it become available, Apple's Logic Pro X was updated on Thursday to version 10.0.1, addressing issues that would down-convert 24-bit audio to 16-bit, inadvertently flatten audio in Track Stacks, and more.
Logic Pro X 10.0.1 is now available to download from the Mac App Store. According to Apple, the update has a number of stability and performance improvements, including:
- Fixes an issue that could cause content downloading to stall
- 24-bit audio files are no longer converted to 16-bit when exporting projects to AAF
- Improves stability when switching between audio editors while Flex Pitch is enabled
- Track Stacks that contain both software instrument and audio tracks will no longer be inadvertently flattened by loading a Patch
- Tuner is now available when selecting a Track Stack containing audio tracks
- Addresses graphic and selection behavior issues in the Score Editor
The release is recommended by Apple for all Logic Pro X customers. The $200 digital audio workstation and MIDI sequencer was first unveiled and released last Tuesday, with new features like Drummer, Flex Pitch, and the accompanying Logic Remote for iPad.
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13 Comments
I wish Apple would provide 24bit audio tracks for sale on iTunes.
They could at least start with lossless 16-bit first...
I'm sure they are working on such lossless concepts. There are a few issues to address:
1) Storage requirements will significantly increase. Thats more costs
2) Larger files will mean more complaining from carriers over streaming load. More infrastructure load for carrier and costs for both sides.
I'd prefer so see a breakthrough in realtime decompression, similar to how Native Instruments, and EastWest do with their 24bit audio files. Having a chip perform this on mobile devices can deliver higher quality audio without increasing storage, but at the cost of some more processing.
And neither comment #2 or #3 are relevant to the story. Logic Pro X is about making music, which includes editing. Resolution and fidelity is important during the creative process, but less so during delivery and consumption. Logic is not iTunes.
256kbps AAC is good enough in every consumer listening case.
You would only notice a difference on a $5,000+ system perfectly positioned in an externally soundproof room. Even then, only a double blind would be objective.
That said, the iTunes division does request 96k master files from studios, so any future change to the purchase file format can be converted from the highest possible source. I speculate having those masters may also aid in comparison testing of their products' DACs.