Roger Fingas
Apple is reportedly creating a global music publishing division within Apple Music, directed by Elena Segal, previously the legal director for iTunes International.
Segal will divide her time between the U.S. and London, England, Music Business Worldwide said on Wednesday. The Music Publishing team is expected to have several sub-divisions, such as Operations, Commercial, Publisher Relations, and A&R. The A&R crew is slated to help develop songwriters, rather than directly sign new talent.
The initiative is said to be the brainchild of Oliver Schusser, who assumed control of Apple Music in April.
"Oliver is well aware that much of the most important artist discovery happening in the music industry today comes from the publishing side of the business," one source explained to MBW.
"He is also aware that record labels and artists are well served by industry relations teams at streaming platforms — they are in and out of those offices every day — but that publishing hasn't yet enjoyed that kind of direct relationship," the person continued. "Oliver wants to underline the importance of publishing and songwriters to Apple. That's what this move is all about."
The creation of a publishing division would seem to suggest that Apple could begin publishing music without the need for third parties, assuming artists and others are willing to go along.
Apple has regularly tried to use exclusives to lure people to Apple Music, typically first dibs at new songs and albums by artists like Drake. Nevertheless, Spotify still commands an overwhelming presence in music streaming, with over 75 million paid subscribers versus Apple's 50 million, on top of which Spotify has even more ad-based listeners.
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Wesley Hilliard
AppleInsider Staff
Andrew Orr
Amber Neely
William Gallagher
17 Comments
This could be an interesting test of loyalty to the Big 4 (3 now?). My guess is that if they try to fight though, they'll eventually make themselves irrelevant.
Publishing is where the money is. Apple is smart to do this. Once you get the publishing rights, you can make money no matter how the music is used. Nobody knows how to rake in profits like Tim Cook.
I don’t know why they’d want to enter the publishing side, since any artist who is actually concerned about a career in the music business should own their material and act as their own publisher. Artists or bands could always sign with a larger label, like BMG (for example) or split touring and recording costs in exchange for profits from tickets sales or merch sales. It could be more lucrative for Apple to enter the licensing side instead, acting as licensing agent for artists to have their music used in myriad cases, such as movies, commercials, promotions, etc.