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Apple TV+ will struggle to meet European quotas for local content at launch

Tim Cook promotes Dickinson, one of the shows Apple TV+ is launching with in November

Last updated

All streaming service providers entering Europe must include at least 30% locally-produced video by the end of 2020, and neither Apple TV+ nor Disney+ are currently close to that figure.

By the end of 2020, all streaming video services, including the new Apple TV+ and Disney+, will be required to have 30% of their entire catalogue locally produced. The requirement is part of a 2018 ruling by the European Parliament, and the existing Netflix and Amazon Prime services are almost at that figure.

According to Variety, Netflix and Amazon Prime together offer approximately 8,000 titles, and currently between 20% to 30% of those are European.

Based on estimates by London-based consultancy Ampere Analysis, Apple TV+ is expected to be launching in Europe with 38 titles, of which just 6.2% are European. Disney+ is thought to be starting with 982 titles, of which 4.7% are locally-made.

Apple TV+ is launching on November 1, and after some current trials, Disney+ is scheduled to make its first European launch in the Netherlands on November 12. That gives both companies around 14 months to achieve the 30% figure. However, while the 30% quota was set in 2018, the specifics of how it is counted are still being debated.

"It's going to be a challenge for the European Commission to come up with a fair system for the quota," Ampere consultant Ed Border told Variety.

Central to the debate, expected to be decided by the European Commission later this year, is whether to count the quota by titles or by hours. One single typical British drama might be in six episodes, so a decision has to be made whether to count that as one or six titles in the catalog.

It's also complicated defining what constitutes a locally-produced show, as series are now rarely produced by a single company in a single country. Consequently a show filmed in France, might be made by a German studio, but financed by America.

Apple may have an advantage in this, however, as it currently seems to be favoring being the sole producer, and also to not be acquiring as many existing titles as its rivals.

"Unlike Netflix and Amazon," Tim Westcott of IHS Markit told Variety, "which have been doing a lot of acquisitions to bulk up their libraries, Apple TV's strategy in Europe looks as if it will be to focus on making a select amount of original films and series with big stars and creatives attached."

"If they take all the rights," he continued, "they can roll out the titles globally instead of acquiring shows for specific markets."

Some of the new Disney+ titles are made in a galaxy far, far away from Europe Some of the new Disney+ titles are made in a galaxy far, far away from Europe

The 30% locally-produced figure does not mean a third of everything Apple TV+ makes must be produced in Europe.

It means that around a third of all the video made available in Europe must be created there. It's not yet known what penalty the European Union could apply to Apple, Disney or others if they fail to meet the quota by the end of 2020.

So just as Netflix customers around the world see quite different catalogs, so streaming services may limit their US-made offerings in order to help meet the required balance.

However, in January 2020, there will be a proposal in the French senate that adds a further requirement. If the proposal is accepted, streaming companies will have to set aside at least 16% of their local revenues for investment back into local content.

And France's Culture Minister, Franck Riester, has said that services which do not comply with such a rule would be shut down in that territory.



44 Comments

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razorpit 17 Years · 1793 comments

Did not know this law existed. Does Europe have this requirement for any other industry such as manufacturing? 

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rob53 13 Years · 3316 comments

I guess the US could do the same thing to France and other EU companies, force them to include 30% of US created whatever for them to be able to sell in the US. Now I just have to think about what French items I actually purchase. Lets also force France to set aside 16% of the sale of their wine (what else?) in the US for developing American wineries. Let's just be fair.

firelock 11 Years · 241 comments

Thank you for this article. This explains why there is so much European-produced TV content popping up in Hulu (Das Boot), HBO (Chernobyl), etc. I think EU over-regulation is going to really hamper Internet companies operating there, and ultimately not serve the public interest. The “right to be forgotten” rule for example, while they make exceptions for “public” figures, is very gray in a number of areas and could be used to withhold valuable information from the public. It also places an undue burden on the providers to figure out who can make a legitimate takedown request and who cannot.

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foljs 15 Years · 390 comments

rob53 said:
I guess the US could do the same thing to France and other EU companies, force them to include 30% of US created whatever for them to be able to sell in the US.

They could, but the US would have more to lose, than the EU, seeing as the EU consumes tons of US movies/shows, and the US consume almost none european ones. So, yeah, bring it on!

Now I just have to think about what French items I actually purchase. Lets also force France to set aside 16% of the sale of their wine (what else?) in the US for developing American wineries. Let's just be fair.

I don't expect Americans to know much about the world, anyway, but you seem like you'd be surprised to learn that the US has lots of such tariffs in place itself, for all kinds of industries.

How about taking off that MAGA hat?

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foljs 15 Years · 390 comments

firelock said:
Thank you for this article. This explains why there is so much European-produced TV content popping up in Hulu (Das Boot), HBO (Chernobyl), etc. I think EU over-regulation is going to really hamper Internet companies operating there, and ultimately not serve the public interest. The “right to be forgotten” rule for example, while they make exceptions for “public” figures, is very gray in a number of areas and could be used to withhold valuable information from the public. It also places an undue burden on the providers to figure out who can make a legitimate takedown request and who cannot.

As a European, it's certainly in the public interest not to have 100% American shows in the dominating subscription services...